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"'Give me Harry Potter,' said Voldemort's voice, 'and none shall be harmed. Give me Harry Potter, and I shall leave the school untouched. Give me Harry Potter, and you will be rewarded.'"
As he climbs into the sidecar of Hagrid's motorbike and takes to the skies, leaving Privet Drive for the last time, Harry Potter knows that Lord Voldemort and the Death Eaters are not far behind. The protective charm that has kept Harry safe until now is broken, but he cannot keep hiding. The Dark Lord is breathing fear into everything Harry loves and to stop him Harry will have to find and destroy the remaining Horcruxes. The final battle must begin - Harry must stand and face his enemy ...
- Sales Rank: #40 in eBooks
- Published on: 2015-12-08
- Released on: 2015-12-08
- Format: Kindle eBook
Amazon.com Review
Readers beware. The brilliant, breathtaking conclusion to J.K. Rowling's spellbinding series is not for the faint of heart--such revelations, battles, and betrayals await in Harry Potter and the Deathly Hallows that no fan will make it to the end unscathed. Luckily, Rowling has prepped loyal readers for the end of her series by doling out increasingly dark and dangerous tales of magic and mystery, shot through with lessons about honor and contempt, love and loss, and right and wrong. Fear not, you will find no spoilers in our review--to tell the plot would ruin the journey, and Harry Potter and the Deathly Hallows is an odyssey the likes of which Rowling's fans have not yet seen, and are not likely to forget. But we would be remiss if we did not offer one small suggestion before you embark on your final adventure with Harry--bring plenty of tissues.
The heart of Book 7 is a hero's mission--not just in Harry's quest for the Horcruxes, but in his journey from boy to man--and Harry faces more danger than that found in all six books combined, from the direct threat of the Death Eaters and you-know-who, to the subtle perils of losing faith in himself. Attentive readers would do well to remember Dumbledore's warning about making the choice between "what is right and what is easy," and know that Rowling applies the same difficult principle to the conclusion of her series. While fans will find the answers to hotly speculated questions about Dumbledore, Snape, and you-know-who, it is a testament to Rowling's skill as a storyteller that even the most astute and careful reader will be taken by surprise.
A spectacular finish to a phenomenal series, Harry Potter and the Deathly Hallows is a bittersweet read for fans. The journey is hard, filled with events both tragic and triumphant, the battlefield littered with the bodies of the dearest and despised, but the final chapter is as brilliant and blinding as a phoenix's flame, and fans and skeptics alike will emerge from the confines of the story with full but heavy hearts, giddy and grateful for the experience. --Daphne Durham
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Begin at the Beginning
Harry Potter and the Sorcerer's Stone
Hardcover
Paperback Harry Potter and the Chamber of Secrets
Hardcover
Paperback Harry Potter and the Prisoner of Azkaban
Hardcover
Paperback Harry Potter and the Goblet of Fire
Hardcover
Paperback Harry Potter and the Order of the Phoenix
Hardcover
Paperback Harry Potter and the Half-Blood Prince
Hardcover
Paperback
Why We Love Harry
Favorite Moments from the Series
There are plenty of reasons to love Rowling's wildly popular series--no doubt you have several dozen of your own. Our list features favorite moments, characters, and artifacts from the first five books. Keep in mind that this list is by no means exhaustive (what we love about Harry could fill ten books!) and does not include any of the spectacular revelatory moments that would spoil the books for those (few) who have not read them. Enjoy.
Harry Potter and the Sorcerer's Stone
* Harry's first trip to the zoo with the Dursleys, when a boa constrictor winks at him.
* When the Dursleys' house is suddenly besieged by letters for Harry from Hogwarts. Readers learn how much the Dursleys have been keeping from Harry. Rowling does a wonderful job in displaying the lengths to which Uncle Vernon will go to deny that magic exists.
* Harry's first visit to Diagon Alley with Hagrid. Full of curiosities and rich with magic and marvel, Harry's first trip includes a trip to Gringotts and Ollivanders, where Harry gets his wand (holly and phoenix feather) and discovers yet another connection to He-Who-Must-No-Be-Named. This moment is the reader's first full introduction to Rowling's world of witchcraft and wizards.
* Harry's experience with the Sorting Hat.
Harry Potter and the Chamber of Secrets
* The de-gnoming of the Weasleys' garden. Harry discovers that even wizards have chores--gnomes must be grabbed (ignoring angry protests "Gerroff me! Gerroff me!"), swung about (to make them too dizzy to come back), and tossed out of the garden--this delightful scene highlights Rowling's clever and witty genius.
* Harry's first experience with a Howler, sent to Ron by his mother.
* The Dueling Club battle between Harry and Malfoy. Gilderoy Lockhart starts the Dueling Club to help students practice spells on each other, but he is not prepared for the intensity of the animosity between Harry and Draco. Since they are still young, their minibattle is innocent enough, including tickling and dancing charms.
Harry Potter and the Prisoner of Azkaban
* Ron's attempt to use a telephone to call Harry at the Dursleys'.
* Harry's first encounter with a Dementor on the train (and just about any other encounter with Dementors). Harry's brush with the Dementors is terrifying and prepares Potter fans for a darker, scarier book.
* Harry, Ron, and Hermione's behavior in Professor Trelawney's Divination class. Some of the best moments in Rowling's books occur when she reminds us that the wizards-in-training at Hogwarts are, after all, just children. Clearly, even at a school of witchcraft and wizardry, classes can be boring and seem pointless to children.
* The Boggart lesson in Professor Lupin's classroom.
* Harry, Ron, and Hermione's knock-down confrontation with Snape.
Harry Potter and the Goblet of Fire
* Hermione's disgust at the reception for the veela (Bulgarian National Team Mascots) at the Quidditch World Cup. Rowling's fourth book addresses issues about growing up--the dynamic between the boys and girls at Hogwarts starts to change. Nowhere is this more plain than the hilarious scene in which magical cheerleaders nearly convince Harry and Ron to jump from the stands to impress them.
* Viktor Krum's crush on Hermione--and Ron's objection to it.
* Malfoy's "Potter Stinks" badge.
* Hermione's creation of S.P.E.W., the intolerant bigotry of the Death Eaters, and the danger of the Triwizard Tournament. Add in the changing dynamics between girls and boys at Hogwarts, and suddenly Rowling's fourth book has a weight and seriousness not as present in early books in the series. Candy and tickle spells are left behind as the students tackle darker, more serious issues and take on larger responsibilities, including the knowledge of illegal curses.
Harry Potter and the Order of the Phoenix
* Harry's outburst to his friends at No. 12 Grimmauld Place. A combination of frustration over being kept in the dark and fear that he will be expelled fuels much of Harry's anger, and it all comes out at once, directly aimed at Ron and Hermione. Rowling perfectly portrays Harry's frustration at being too old to shirk responsibility, but too young to be accepted as part of the fight that he knows is coming.
* Harry's detention with Professor Umbridge. Rowling shows her darker side, leading readers to believe that Hogwarts is no longer a safe haven for young wizards. Dolores represents a bureaucratic tyrant capable of real evil, and Harry is forced to endure their private battle of wills alone.
* Harry and Cho's painfully awkward interactions. Rowling clearly remembers what it was like to be a teenager.
* Harry's Occlumency lessons with Snape.
* Dumbledore's confession to Harry.
Harry Potter and the Half-Blood Prince
* The introduction of the Horcrux.
* Molly Weasley asking Arthur Weasley about his "dearest ambition." Rowling has always been great at revealing little intriguing bits about her characters at a time, and Arthur’s answer "to find out how airplanes stay up" reminds us about his obsession with Muggles.
* Harry's private lessons with Dumbledore, and more time spent with the fascinating and dangerous pensieve, arguably one of Rowling’s most ingenious inventions.
* Fred and George Weasley’s Joke Shop, and the slogan: "Why Are You Worrying About You-Know-Who? You Should Be Worrying About U-NO-POO--the Constipation Sensation That's Gripping the Nation!"
* Luna's Quidditch commentary. Rowling created scores of Luna Lovegood fans with hilarious and bizarre commentary from the most unlikely Quidditch commentator.
* The effects of Felix Felicis.
Magic, Mystery, and Mayhem: A Conversation with J.K. Rowling
"I am an extraordinarily lucky person, doing what I love best in the world. I’m sure that I will always be a writer. It was wonderful enough just to be published. The greatest reward is the enthusiasm of the readers." --J.K. Rowling
Find out more about Harry's creator in our exclusive interview with J.K. Rowling.
Did You Know? The Little White Horse was J.K. Rowling's favorite book as a child. Jane Austen is Rowling's favorite author. Roddy Doyle is Rowling's favorite living writer.
A Few Words from Mary GrandPré
"When I illustrate a cover or a book, I draw upon what the author tells me; that's how I see my responsibility as an illustrator. J.K. Rowling is very descriptive in her writing--she gives an illustrator a lot to work with. Each story is packed full of rich visual descriptions of the atmosphere, the mood, the setting, and all the different creatures and people. She makes it easy for me. The images just develop as I sketch and retrace until it feels right and matches her vision." Check out more Harry Potter art from illustrator Mary GrandPré.
From Publishers Weekly
Starred Review. Potter fans, relax—this review packs no spoilers. Instead, we're taking advantage of our public platform to praise Rowling for the excellence of her plotting. We can't think of anyone else who has sustained such an intricate, endlessly inventive plot over seven thick volumes and so constantly surprised us with twists, well-laid traps and Purloined Letter-style tricks. Hallows continues the tradition, both with sly feats of legerdemain and with several altogether new, unexpected elements. Perhaps some of the surprises in Hallows don't have quite the punch as those of earlier books, but that may be because of the thoroughness and consistency with which Rowling has created her magical universe, and because we've so raptly absorbed its rules.
We're also seizing the occasion to wish out loud that her editors had done their jobs more actively. It's hard to escape the notion that the first three volumes were more carefully edited than the last four. Hallows doesn't contain the extraneous scenes found in, say, Goblet of Fire, but the momentum is uneven. Rowling is much better at comedy than at fight scenes, and no reader of the sixth book will be startled to hear that Hallows has little humor or that its characters engage in more than a few fights. Surely her editors could have helped her find other methods of building suspense besides the use of ellipses and dashes? And craft fight dialogue that sounds a bit less like it belongs in a comic book? Okay, we're quibbling. We know these minor nuisances won't dent readers' enjoyment, at least not this generation of readers; we couldn't put Hallows down ourselves. But we believe Rowling, and future readers, deserved even better. Ages 9-12. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Grade 6 Up—In this concluding volume, Rowling brings together the themes and characters familiar to her readers, providing thrills both expected and unexpected. Harry, Ron, and Hermione set out on the mission left to Harry by Albus Dumbledore, to search for the remaining Horcruxes, the hidden pieces of Voldemort's soul that must be destroyed to ensure his final defeat. Harry and his friends find themselves fugitives, but help comes from unexpected quarters and old friends. Harry is also searching for the truth about Dumbledore's life, as he tries to reconcile rumors about the man's past with the heroic headmaster he thought he knew. The legend of the Deathly Hallows, three magical objects that have the power to overcome death, proves to be related to Dumbledore's past as well as the present conflict. While the plot wanders somewhat on its way there, the final battle with Voldemort, involving a full range of friends and foes, is Rowling at her finest. The headstrong plot involves clues and characters from all of the volumes, building on details and tying up loose ends. An underlying message about the power of truth and redemption is reflected in a range of characters, combining with mythic allusions to give depth to the series as a whole. Hallows continues the darker tone of Half-Blood Prince, and there's no Quidditch to be found here, though there are comic moments. Fans of the series will devour this lengthy tome and will be left hoping for more tales from this fully fleshed out fantastic world.—Beth L. Meister, Pleasant View Elementary School, Franklin, WI
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Most helpful customer reviews
257 of 276 people found the following review helpful.
Easily the most complex, and in some ways most satisfying, of all the Potter novels
By Mike London
ORDER OF THE PHOENIX could well be my favorite book of them all, if Azkaban and Deathly Hallows weren't as good as they were. For all the talk about GOBLET being the one where Rowling really hikes up the intensity and the complexity in the series, it is here, in PHOENIX, she gives us Potter's darkest, and most complex, adventure of all.
The second most complex novel in the entire Potter sequence (the first being Book 7), this book is probably the second best one, though I still like Azkaban better. This novel introduces the Order of the Phoenix, a whole litany of new characters and a more indepth look at the Ministry For Magic.
Potter has been having bad dreams about a locked door. So he must find out what to do about that. While at home with the Dursleys, he and Dudley are attacked by dementors, and so he stands trial before the Ministry for the inappropriate use of underage magic. He ultimately must appear before the Ministry, and it is only by Dumbledore's appearance he is saved.
But the Ministry is not finished yet. Still under staunch denial that Voldemort is back, Cornelius Fudge sends a new teacher, Dolores Umbridge, to bring Hogwarts under the Ministry's control. Much of the storyline revolves around Umbridge as she takes over Hogwarts, eventually ousting Dumbledore, who goes on the run. Her end is very well justified.
I remember when I read the book back in 2003 when it initially came out being rather disappointed. I wasn't a big fan of GOBLET, and I couldn't way to spend more time in Harry's universe, being back at Hogwarts with characters I know and love. But when I read PHOENIX, though, I felt even more lost and rather alienated. Hogwarts was being taken over. Hagrid was missing for half the book. Dumbledore is extremely distant (for reasons explained at the end of the novel). The Ministry is taken over, and it's run by a man who doesn't know what the hell is going on. There was a lot going on in this novel, and it was all rather depressing. Harry became angry and had severe mood swings, and was always snapping at the people around him. On the positive note he did get some romance,but ultimately even that frizzled out. Harry even had to take "Defense Against the Dark Arts" underground, as Umbridge refuses to even acknowledge Voldemort at all, as per Ministry order.
When I reread it in 2007 in prepration for DEATHLY HALLOWS, my stocks in this book absolutely soared. This is a dark, dark book, and while I still felt rather alienated and cut off from Rowling's magical world and the Ministry Interference, this time around I realised how masterfully crafted this novel truly is.
ORDER, as far as I'm concerned, is where Rowling truly stopped writing children's fiction, but crafting a dark, bitter book about dark, bitter times in her character's lives. Reading ORDER, and especially about Umbridge, keeps reminding one of Orwell and his horrific visions in 1984 and ANIMAL FARM.
Umbridge is easily one of her best characters she ever wrote, and one of the most despicable characters in all of fiction. It is people like Umbridge that brought Hitler to power in the early 1930s, and who would enable him to commit the many atrocities that he did during WWII (and I thought that for a long time before HALLOWS came out, in which Umbridge has turned into a type of Nazi who fully subscribes to Voldemort's racial genocide).
It is here, with ORDER, in which Rowling shows us the evil of bureaucracy, of how Voldemort isn't the only person in which massive evil lurks.
I also love how Rowling greatly expands her environment from the previous novels. We see for the first time St. Mungo's (and have a rather morose encounter with Gilderoy Lockheart from Book 2). We get to go inside the Ministry For Magic, and a very impressive place it is. Grimmauld Place, along with Sirius, is also very entertaining.
And we get some great new characters. Thestrals. The beautifully bizaare Luna Lovegood. Gwarp. Kingsley Shacklebolt. And a personal favorite, Nymphadora Tonks.
The series also has one of my favorite scenes in all of literature: when Dumbledore brings Firenze on during the rainstorm as the new divination teacher (a scene I was so disappointed they cut on the movie. The seeds were they but they cut it damn it.).
The climax of the book is great, with Dumbledore's Army truly coming into their own as they fight against the Death Eaters, who are trying to take the Prophecy from the Hall of Prophecy in the Ministry For Magic. I love that whole end sequence. And the death Rowling includes is just brutal, not really how she kills off the character but the fact she killed him off at all. Interestingly enough, Arthur Weasly, who survives an attack in this novel, was originally slated to die, but Rowling could not bear to kill him off. He was also supposed to die in Book 7, but she couldn't kill him then either, and he was the only real normal fatherfigure in the series, and a good father at that.
And naturally, we get to learn some vastly important information about Neville Longbottom. Following the trend of other installments in the series in regards to introducing apparently non-essential characters and information,, he turns out to much more important than you would suppose. We also begin to learn Dumbledore isn't as flawless as you would like to think.
Another thing I really like about the book is you really do feel like the stakes are really high, which you should as we're only two books away from the end. In fact, HALF-BLOOD PRINCE seemed almost a step back in terms of complexity and highs takes atmosphere from this one.
One thing that should be noted is this is a real doorstop of a book. At a quarter of a million worlds (half as long as Tolkien's LORD OF THE RINGS), this is easily one of the longest children's books ever published. Rowling has even said she wish she could go back and edit this book down, as she feels it is too long. But what would she cut? Great stuff, but very long for kids. Speaks to the amazing appeal these books have that children have read something as long as this.
Overall, one of my favorite Potter books. I think it's even better than AZKABAN on a literary level, but I still prefer Azkaban to this as a personal preference. Still, this is one of Potter's best. Don't go in thinking you'll have as much fun at Hogwarts. These are dark times, and the war really is beginning.
We can only hope Potter and his friends will pull through.
243 of 261 people found the following review helpful.
Terrific!
By mgately
Every Once in a while, a book comes along that spellbinds millions. Like The Hobbit, You certainly know Bilbo Baggins, and you know all about Tolkien. A new book has come, Harry Potter. I love this book. I enhale all of the information exhales. Please say my vote was helpful. I am 82 years old and nothing would please me more than to be a top reviewer.
1074 of 1189 people found the following review helpful.
A stunning and thoroughly satisfying conclusion
By J.A.
This is arguably the most "hyped" book in history, and if J.K. Rowling had to sneak down to the kitchen for a glass of red wine to calm her nerves while writing The Goblet of Fire (as she said she did), one wonders what assuaged her while writing Harry Potter and the Deathly Hallows. The collective breath of tens of millions of readers has been held for two years...and now...was it worth the wait? Did Ms. Rowling live up to the hype? (For that, amongst hundreds of questions, is really the only question that matters.)
The answer, most assuredly, is YES.
Harry Potter and the Deathly Hallows is told in a strikingly different style than the previous six books - even different from The Half Blood Prince, and, I daresay, it's a better written, better edited, tighter narrative. And while the action is lively and well paced throughout, Rowling found a way to answer most of our questions while introducing new and complex ideas. What fascinated me was this: Some people were right, with regard to who is good, who is bad, who will live, who will die - but almost nobody got the "why" part correct. I truthfully expected an exciting but rather predictable ending, but instead was thrown for a loop. We've known that Rowling is fiendishly clever for years - but I didn't think she was *this* clever.
Not since turning the final page of The Return of the King twenty-eight years ago have I felt such a keen sense of loss. My love affair (indeed, everyone's love affair, I imagine) with all things Harry began somewhere in the first three chapters of The Sorcerer's Stone, and has lasted, on this side of the Atlantic, three months shy of nine years. For all that time we have waited and wondered - was Dumbledore right to trust Snape? Will Ron and Hermione get together? What's to become of Ginny and Harry? What really happened on that tower, when Dumbledore was blasted backwards, that "blast" atypical of the Avada Kedavra curse as we've seen it when used throughout the series. So many more questions than those listed here, and so many devilishly well-hidden hints. The answers, as I hinted above, will shock and awe you.
When first we met Harry Potter, he was "The Boy Who Lived", with an address of "The Cupboard Under the Stairs". Who could help but bleed sympathy for Harry, treated abysmally - abused, really - by the only blood relatives he had, and forced to live under said stairs by those awful Muggles, the Dursleys? It was a sensationally brilliant introduction, one that ensured that our heartstrings would be plucked and enchanted to sing. He was The Boy Who Lived.
Since reading that first book, we have enjoyed Rowling's spry sense of humor - portraits that spoke, stairways that moved at any given moment, Hagrid jinxing Dudley so that a pigs tail grew from his behind, Fred and George's fantastic creations, etc, etc., etc., and more etc's. There was a sense of wonder and magic in Rowling's writing, so thoroughly captivating that the recommended age group of 9-12 in no way resembled the book's actual audience. It was common to see adults walking about with hardcover copies of the latest book, sans dust jacket (to hide the fact that they were reading a "kids" book, I suppose). It was also common to hear of eight year olds sitting down with a seven-hundred-plus page book! By themselves! If I hadn't seen it with my own eyes, I wouldn't have believed it.
As for Harry, we admired him. He wasn't afraid to stand up for what he felt was right, even if he found himself in detention for it. He was brutally honest, and immensely courageous and loyal. Harry came to embody, at times, who we would like to be. He wasn't perfect, of course. He suspected Snape of being the one who was after the Sorcerer's Stone, and in The Chamber of Secrets, he thought that Malfoy was the heir of Slytherin. This didn't diminish Harry in our eyes - it made him more human, more real, and even, perhaps, more enviable.
Endless fan sites have been erected. For an adult to go to any of them, and find that thirteen year olds are having an easier time parsing out the books plots, subplots, and mysteries, was (for me at least) humbling, but yet also a testament to Rowling herself, and her remarkable creation. She encouraged an entire generation of young readers to read and to think for themselves.
But the time has come to say good-bye, for this is truly the end.
So good-bye, Harry. Good-bye Hermione, Ron, Professor Dumbledore, *Professor* Snape, Professor McGonagall, Professor Hagrid, Ginny, Fred, George, Neville, Dobby (and all the house elves), even Lord Voldemort and his Death Eaters. We will miss all of you, every character we encountered, from Muggle to Mudblood to hippogriff and owl, and everything about the world you all so vibrantly inhabit. And to Ms. Rowling: know that you have brought immeasurable joy to millions and millions of Muggles worldwide, and know that we cannot possibly thank you enough. What a tremendous gift you were given. Thank you for sharing it with us.
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