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With an Introduction by Salman Rushdie
On the night in 1964 that Muhammad Ali (then known as Cassius Clay) stepped into the ring with Sonny Liston, he was widely regarded as an irritating freak who danced and talked way too much. Six rounds later Ali was not only the new world heavyweight boxing champion: He was "a new kind of black man" who would shortly transform America's racial politics, its popular culture, and its notions of heroism.
No one has captured Ali--and the era that he exhilarated and sometimes infuriated--with greater vibrancy, drama, and astuteness than David Remnick, the Pulitzer Prize-winning author of Lenin's Tomb (and editor of The New Yorker). In charting Ali's rise from the gyms of Louisville, Kentucky, to his epochal fights against Liston and Floyd Patterson, Remnick creates a canvas of unparalleled richness. He gives us empathetic portraits of wisecracking sportswriters and bone-breaking mobsters; of the baleful Liston and the haunted Patterson; of an audacious Norman Mailer and an enigmatic Malcolm X. Most of all, King of the World does justice to the speed, grace, courage, humor, and ebullience of one of the greatest athletes and irresistibly dynamic personalities of our time.
- Sales Rank: #85109 in Books
- Color: Black
- Published on: 1999-10-05
- Released on: 1999-10-05
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .70" w x 5.10" l, .72 pounds
- Binding: Paperback
- 352 pages
Amazon.com Review
You'd think there wouldn't be much left to say about a living icon like Muhammad Ali, yet David Remnick imbues King of the World with all the freshness and vitality this legendary fighter displayed in his prime. Beginning with the pre-Ali days of boxing and its two archetypes, Floyd Patterson (the good black heavyweight) and Sonny Liston (the bad black heavyweight), Remnick deftly sets the stage for the emergence of a heavyweight champion the likes of which the world had never seen: a three-dimensional, Technicolor showman, fighter and minister of Islam, a man who talked almost as well as he fought. But mostly Remnick's portrait is of a man who could not be confined to any existing stereotypes, inside the ring or out.
In extraordinary detail, Remnick depicts Ali as a creation of his own imagination as we follow the willful and mercurial young Cassius Clay from his boyhood and watch him hone and shape himself to a figure who would eventually command center stage in one of the most volatile decades in our history. To Remnick it seems clear that Ali's greatest accomplishment is to prove beyond a doubt that not only is it possible to challenge the implacable forces of the establishment (the noir-ish, gangster-ridden fight game and the ethos of a whole country) but, with the right combination of conviction and talent, to triumph over these forces. --Fred Haefele
From Publishers Weekly
"I ain't got no quarrel with them Vietcong," Ali said in 1967 on refusing to be drafted. He was sentenced to five years in prison, and though the Supreme Court would overturn his conviction four years later, principle lost himAtemporarilyAhis title, big bucks, the support of many admirers and the best years of his fighting life. Vietnam postdates most of New Yorker editor Remnick's (Lenin's Tomb) coverage, as he writes little about Ali in the post-Sonny Liston era. At its best, the book recalls the boxing writings of A.J. Liebling, while Remnick's frequent use of Ali's hilarious "rapper" doggerel adds to the melancholy humor through which he describes the Louisville kid who beat gambling odds on the way to the heavyweight title but couldn't beat the medical odds. "The history of [prize] fighters," Remnick writes, "is the history of men who end up damaged." Only in his middle 50s, the once graceful Ali, last seen worldwide clutching the Atlanta Olympic torch in a trembling hand, is disabled by degenerative Parkinson's disease. To many, though, he was disabled even earlier by his conversion to Elijah Muhammad's Nation of Islam, which, whatever its controversial separatist image, "orders [Ali's] life and helps him cope with his illness," according to Remnick. The author smartly records Ali's defiant besting of adversaries in and out of the ring and shows him to be a champion human being. 16 pages of b&w photos.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
Pulitzer Prize winner Remnick (Lenin's Tomb), now editor of The New Yorker, turns what could have been a simple sports homage into a sophisticated portrait of Sixties America and the metamorphosis of Cassius Clay into Muhammad Ali. Ali?the mouthy, beautiful 7-1 underdog who "shook up the world" by beating Sonny Liston in 1964, severing the Mob's claim on the heavyweight title, and trading in his "slave name" for a Muslim identity?is a transcendent enough social figure to draw on all of Remnick's journalistic powers. The battles with Liston, Patterson, and the draft board that ended Ali's career for three and a half years make for a fascinating political journey.
Copyright 1999 Reed Business Information, Inc.
Most helpful customer reviews
46 of 47 people found the following review helpful.
Ali at the height of his powers...
By Andy Orrock
Remnick is smart enough not to contribute just another Ali biography to the shelves, and instead focuses his efforts on Ali 1960 - 1965...from his post-Olympic days through to the second fight with Liston. These are the years when Ali became Ali...the champ at the height of his powers.
But there's a special bonus in this book - a good portion of it deals with Sonny Liston. You talk about your seminal 20th Century characters. They don't get any more interesting than this guy: the abused son of a sharecropper, long stretches of imprisonment, a fight career directed by mob interests, a violent death. In short, a writer's dream. Remnick brings Liston together with Floyd Patterson (and you'll never find a greater constrast) and walks you through these two battles before turning his attention to Ali. Thus, you get a full portrait of Liston prior to encountering the force of nature that was then Cassius Clay.
The effect is a curious sympathy that you have for Liston as he enters the maelstrom developing around Ali. In most retellings, Liston is cast as the personification of evil. Remnick made me see him in a different light.
My advice for a great Ali study program:
1. Watch 'When We Were Kings' [Best documentary ever]
2. Read 'The Fight' by Norman Mailer
3. Read 'King of the World'
4. Buy any book featuring Howard Bingham's photography of Ali.
15 of 16 people found the following review helpful.
Knockout
By Tyler Smith
David Remnick delivers a terrific biography of Muhammad Ali with "King of the World," but this book should never be mistaken for a conventional sports biography. It is also social history and a compassionate yet realistic portrait of America's guiltiest pleasure: the seamy, yet somehow sometimes heroic world of professional boxing.
The first thing that struck me when I read the book is that its first section discusses Muhammad Ali (or Cassius Clay) very little. Instead, Remnick focuses on the two boxers who helped to gave shape to Ali's legend: Floyd Patterson and Sonny Liston. The former was a reluctant champion from the Bedford-Stuyvesant section of Brooklyn, and Remnick brings Patterson's reticence and self-doubt into full view. The latter was a street thug from an impoverished rural background, a vision of America's deepest fears about African-Americans.
Remnick details Liston's two devastating first-round demolitions of Patterson and illuminates the complicated relationship the public had with Liston. On the one hand, he was despised because of his criminal background and ties to the mob; on the other, Remnick makes clear, he was comforing because he confirmed stereotyped perceptions of black men. One of Remnick's great accompishments in the book is to humanize Liston without in the least diminishing his surly and even hateful demeanor.
With Liston the controversial heavyweight champ, the loud, abrasive, seemingly self-confident Cassius Clay, of Louisville, Kentucky, stepped into the national spotlight. Remnick displays the future champion in all his complex glory: his braggadocio, his complex relationship with white people, including his trainer and doctor, his innate intelligence that was paired with his lack of formal schooling, his ability to manipulate the press, and so on.
Interwoven into his story of how Cassius Clay literally created his life and legend and became the man we know as Muhammad Ali is excellent social history on the civil rights movement and Ali's relationship with the Muslims, including Elijah Muhammad and Malcolm X. It is not surprising for those of us who grew up in the '60s that sport was so mixed up with politics in Muhammad Ali's day and that he was a key figure in shaping politics. Those who do not remember the time, however, may find it enlightening to realize that there was once an athlete who paid dearly for his political beliefs: Muhammad Ali was stripped of his heavyweight title and banned from the ring for four years for his opposition to the war in Vietnam.
Remnick brings all of this vividly to life. He manages, in a bare 300 pages, to meld sports, politics, and history into a story that unfolds like a great heavyweight fight. Must read.
12 of 13 people found the following review helpful.
read this book
By A Customer
This is a great writer that can be appreciated by the boxing fan and non fan alike. At times the narrative is a bit choppy. But in the end this style adds to the reader's enjoyment as the usual biographical methods become enhanced. The title and cover pic are a little misleading : while Ali is clearly the focus much space is given to (and much is learned about) Liston, Patterson and most interestingly, the whole boxing culture....Bottom line : A great book.
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